I'm pleased to be working in Boston theater at the moment! And as I'm not an actor, I'm especially pleased to be able to stay behind the camera. Camera? Theater? What, you ask?
Playwright Larry Jay Tish has a new play up and running for one more weekend at the Playwrights' Theatre at BU in Boston. "The Last Jews: An Apocalyptic Comedy" is a funny farce that is rooted in the legacy of of one of history's darkest chapters. It also may offend Canadians.
A Boston Globe article gives some insight into Larry and the concept of the play:
Larry Jay Tish, "tackles humanity at its most inhumane with “The Last Jews: An Apocalyptic Comedy.” It’s set in a North Dakota bunker after a Canadian-led genocide has wiped out all but two Jews, Gertrude and Morty, who hadn’t spoken to each other since their bitter divorce two decades before."
Set in the near future, the play called for some video elements -- characters "skyping" with each other, security camera footage, a fake newscast -- to be presented to the audience via a communication screen inside the Sierra Club bunker where most of the play takes place.
I was pleased to work with Larry and Director Margaret Ann Brady and some talented actors to get these scenes recorded, edited and delivered for playback during the live shows. In previews, I was happy to see that the video played seamlessly and was non-distracting, which is really the point, to serve the play in telling the story at hand.
The video elements even received a mention in a review on Boston Arts Review (where it wasn't called out for ruining everything): "...and Brad Kelly’s video design for the television news broadcasts is an effective and awfully clever comic coup. Mazel Tov."
The play runs through May 11th and is funny and hopeful and gets you thinking about the absurdity of hatred, even as you're laughing.
See you in the theater!
Thursday, May 8, 2014
Announcing My Theatrical Debut (...for Video Design) in "The Last Jews: An Apocalyptic Comedy" at Boston's Playwrights' Theatre
Thursday, December 19, 2013
We here at Albion Park Productions are deep in the pre-production process on our first feature, our working title is "Better Homes and Gangsters." For now. We think it's funny, suspenseful and moving. The staged reading proved that its potential wasn't just on the page. We were pleasantly thrilled by the response from the actors and others in the room. We look forward to bringing this bit of cinematic fun to the big screen. And eventually the big screen plasma in your living room.
The script is finished. The parts are mostly cast and the actors committed to the shooting schedule. SAG (Screen Actors Guild) paperwork is being shuffled and submitted. LLC's are being created, lawyers are being consulted and paid. Boy are they being paid. Before anyone else gets paid, the lawyers must be paid. One of the first things we got for our money was that we should probably think about changing the title. Apparently a certain magazine might choose to make trouble. Must we start killing our darlings before we've even really begun? The law is a tough, expensive master.
Principle photography is still a few months away. The budget is....well, the budget money is in the process of being raised (stay tuned here, hint, hint...). It's amazing how many moving parts there are to getting a film underway, even before the first frame is shot.
My two producing partners are doing a lot of the heavy pre-production lifting with me. And once we start production we'll be putting on our "real" hats: Art Hennessey will be directing. Amanda Good Hennessey will be the lead actor and I will be director of photography. Anyone want to line produce?
Creating an online "presence" for a movie that hasn't shot a single frame yet, is challenging. With that in mind, we recently headed to some tennis court on a very chilly fall day with two of our actresses braving it in tennis whites, to try and come up with some images that might hint at the kind of flavor that our upper-class-meets-underworld script encompasses. A little bit screwball, a little bit dangerous, a little bit awkward.
Tuesday, July 30, 2013
Storm Clouds over Somerville, MA, July 29, 2013, A Timelapse from Brad Kelly on Vimeo.
Dramatic stock music rolls in over the Boston area last night. Also, some awesome summer storm clouds.
I was rolling on some timelapses yesterday when some freaky Ghostbusters worthy clouds moved in.
Shot at 4 seconds per frame and edited using Quicktime and Final Cut Pro.
Saturday, May 11, 2013
Last month HBO requested the raw interview footage I shot, with Steve Webster of Impact Design,
of the hot local game design folks Disruptor Beam, for the Game of Thrones Ascent trailer.
Turns out they've incorporated it into a featurette that is airing on HBO starting this weekend! I haven't seen it yet and I'm mighty curious to see what they've done with it.
Best of all, I can now cross the "have footage I shot run in an interstitial featurette on HBO" off my bucket list. Onward and upwards!
Sunday, June 24, 2012
The Oblique Sector is in a streaming partnership with Film Armada as part of the extended Nantucket Film Festival
Our short film, The Oblique Sector, premiered a year ago at The Nantucket Film Festival.
The Albion Park Productions team spent a glorious and eventful several days on that quaint little island taking part in the festival scene and the old-time whaling seaport atmosphere: Meeting, greeting, taking part in Q&A's, catching other interesting films and enjoying the parties, workshops and readings for which the NFFest is justly famous. Then it was over. Back to work (and on to the next festival).
Fast-forward nearly a year: We received an email from the Nantucket Film Festival inviting us to participate in a "streaming partnership" with Film Armada, as an extension of the Nantucket Film Festival 2012. Film Armada describes itself as an "Online Theatron." For the duration of the NFFestival, our short would be available streaming online and all revenue associated with ad sales and "tickets" sold to view our film would go entirely to us. After the festival, our short would be withdrawn or we could choose one of two options to leave it up as part of Film Armada or the NFFest archives.
What's to lose, right? Licensing agreements were signed, digital files were delivered, and The Oblique Sector is currently available (for the rest of today) online here: http://www.filmarmada.com/film/682441/oblique-sector
How this will play out financially remains to be seen. I haven't purchased that yacht for the visit to Cannes next year, but who knows. It's a new world out there when it comes to distribution and revenue streams and to an extent, it's about trying out new concepts and ideas and seeing what sticks.
Film Armada is in beta. And in some ways, it shows. It's not really clear to me how much it costs to view our film, but it's reportedly $3. However, signing up and logging in to the site, it appears there is a $10 minimum purchase of credits, so that raises the "random casual viewer" bar fairly high, right off the bat.
And our film is represented by a rather awkward frame grab (automated, I presume?), as you can see below.
As any of you who have seen the film know, The Oblique Sector is not really about Amanda Good Hennessey's chest. Sorry, Amanda! I think we can blame it on the bot.
Wednesday, June 20, 2012
Thursday, February 16, 2012
The February 16, 2012 issue of the Somerville Journal has a full page article about my cellphone photography.